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| ARCHITECTURE
& PHILOSOPHY |
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Foreigners
visiting India often ask for guidance on Hinduism, which
they can understand and relate to what they see,
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| WHAT
IS HINDUISM ? |
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Hinduism
is the oldest religion in the world. It is the prime
religion followed by a majority of people of India,
Nepal and Bali with a liberal sprinkle elsewhere in
the world. One word Hindu is of geographic origin and
is derived from the name originally given to the people
settled in the valleys of river sindhu. Foreigners in
due course called them Hindus and the faith of Hindus
is called HINDUISM.
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| Hinduism
is just not a religion but a way of life because of the
fact that it permeates the life of every individual from
the moment of his/her birth. |
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"OM"
the symbol of absolute. This mystic syllable is known
as Pranava and is the symbol of Brahman. In relation
to the world, and to make the universal Spirit easily
understandable, Brahman with form and attributes is
known as Iswara. Trinity, the three main forms of God-Head,
Creation, Preservation and Destruction are further simplified
by Iswara, being called Brahma, when he takes over the
creation of Universe, Vishnu, when he assumes the role
of Preserver and Shiva, when he is the destroyer. Different
iconographical features are depicted for different deities
at different times; depending on the roles they perform.
In one temple Vishnu may be shown in a peaceful form
and in another a role of destroying evil.
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| KARNATAKA |
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The
story of markandeya showed how a young boy conquered
his pre-destined fate by his devotion to Siva. Given
only a 16-year span of life, markeandeya did not allow
Yama, the god of
Death to take him away on the due date but was given
a gift of immortality by Shiva by the Strength of Bakthi,
Devotion.
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Photo
of Shiva and Yama, Pattadakal, Karnataka. Indra
and Indrani on the elephant Airavata, Somanathpur, Karnataka.
Brahma,
Shiva, Vishnu, The Trinity, Halebid - Karnataka.
Brahma the Creator is shown with Four Heads facing all
four directions symbolizing that he created the Universe.
The fact is that, after each KALPA (or age) He meditates
and recreates the Universe. He
sits on a Lotus which is the symbol of purity, as Lotus
usually grows in muddy waters, but is untouched by dirt
from which it emerges, a true Yogi should be unaffected
by the world around him. Brahma,
Aihole - Karnataka
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Vishnu
is represented as lying on the many-headed cobra, Ananta,
in the ocean of Milk. Ananta denotes Cosmic Energy and
the ocean symbolizes Anandha or the endless bliss and
grace of the Brahman. Vishnu is given the colour Blue
to Symbolize infinity, as he is as limitless as the
Blue sky. He holds the Chakra or the discus one hand
denoting that he maintains Dharma (righteousness) and
order in the Universe. The Shanka or Conch that he holds
in the other is for the removal of ignorance and is
also the Symbolic of NadhaBrahman or the music of the
Cosmos, as the Conch when placed to the ear has a deep
humming sound. The Gadha or mace for removing the evil
in the world and the Lotus is the symbol of Beauty and
Purity of the Cosmic Universe. The vehicle of Vishnu
is Garuda, the man-Eagle, a figure of great strength,
power and piety. Vishnu
is lying on the many Headed Cobra. Ananta(Shesa), Aihole,
Karnataka
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| TAMILNADU |
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Ten
Avatars of Incarnations of Lord Vishnu depicts help
Given by God during the various stages of man's evolution
by his appearing on the earth in different form. These
avatars teach mankind that God has re established Dharma
and righteous justice and destroyed injustice from time
to time by appearing on earth in various Incarnations.
In
Mahabalipuram you can see Varaha avatar at the end of
deluge in the last KALPA or age. Bhoomi Devi (Mother
earth) sank into the bottom of ocean. Vishnu taking
the form of large boar, Varaha divided into the ocean
and carried the Goddess out of the water by his massive
Snout.
One
of the basic beliefs of Hinduism is the law of Karma
and Action. The law of cause and effect. It is explained
by Saying, "As we sow, we shall reap. Shiva, the
destroyer of the Universe is often shown as Nataraja:
his dance depicts cosmic energy. He dances on the demon
that represents our EGO. Only by destroying ones ego
one can attain God-Head In
one hand Shiva holds a deer, which denotes many unsteady
mind, which darts hither and thither like the deer but
has to be brought under control. IN another he handles
a rattle drum the symbol of creative activity and in
the third, l the fir the symbol of Destruction. His
fourth hand in the ABHAYAMUTHRA says "DO NOT FEAR".
I shall protect as I destroy. The circle of fire behind
him symbolizes continuity and eternal motion of the
universe through the paths of the Creation Preservation
and Destruction. The river Goddess Ganga on Shiva's
head denotes eternity and purity and the Crescent moon
reminds us of waxing and waning of the moon and the
movement of time. The cobra coiling around him is again
symbol of cosmic energy. Shiva's garland of skull reminds
that death comes to all and his third eye depicts that
god is all seeing and wise. Placed in the center of
the forehead on which yogi concentrate while in meditation
this spot is symbolic as the seat of wisdom. Shiva opens
his third eye to destroy evil.
Kancheepuram,
Thanjavur and Kumbakkonam are also known for the explicit
sculptured temple and statues and rock depictions as
in Mamallapuram. The Story of Arjuna's penance, Five
Rathas and the Shore Temple are classic examples of
the explicit architecture. The Suriyanayanar temple
in Aduthurai near Kumbakkonam is a masterpiece as it
allows sunlight to fall only on the Deity. The temple
sanctorum is shrouded in darkness and only a ray of
sunlight passes through.
The
fifth set of scriptures is the Agamas. These lay down
the separate theological disciplines and doctrines for
the worship of particular deities. Details of this type
of worship will be covered later on. Suffice to say
now that from these Agamas have sprouted three main
sects amongst the Hindus, the Shaiva, Vaishnava and
Shakta. An
important part of the third section in each Agama covers
the rules for constructing temples. That is why, whatever
the style of outward architecture, the plan of temples
is the same as laid down in each Agama for accommodating
the rituals in that form of worship. All
thinking in India has been affected by Vedanta, which,
even though we may not be aware of it, is the very root
of our culture and beliefs. The Upanishads, the Vedanta
Sutras and the Bhagavad-Gita Gita are called the Prasthan
Traya, or the three authoritative scriptures of Hinduism.
The three great commentators on the Vedanta Sutras were
Adi Shankara, Ramanuja and Madhavacharya. Vedanta
has influenced great thinkers from time immemorial.
Greek thinkers like Plato and later European philosophers
like Vedantic Philosophy as influenced Spinoza, Nietzche
and Schophenhauer expounded by the ancient rishis of
the Upanishadic period. Vedanta
appeals to the mind and to one's logical understanding.
It gives satisfactory answers to the spiritual doubts
of wise men at all times in all ages. It is a school
of philosophy that appeals equally to the mystical minds
of the Seers of the East, and to the philosophers of
the Western world who are conditioned by a pragmatic
and scientific environment.
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| Basic
layout of a Hindu Temple |
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A-the
garbha griha (or womb cell where the image of the deity
is installed. There is a passage for circumambulation
around it. B-Antarala or vestibule. C-Mandapa or pillared
hall where devotees gather for worship. D - Ardha Mandapa
or entrance proch. E - Maha mandapa, a large hall used
for discourses, bhajans (religious music sessions) etc.
F - Kalyana Mandapa where festivals and rituals, like
the marriage of the deity are conducted. (E & F
are found only in the larger temples which often have
several more mandapas and shrines.)
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